After the Jews the Gypsies

“In 1941 the slogan was launched: After the Jews the Gypsies.”
This collage revisits a former artistic motive to reinterpret the experience of persecution. It draws from the testimonies I studied during the Roma and Sinti Community Curators Programme, the pages of The Destiny of Europe’s Gypsies by Donald Kenrick and Grattan Puxon, the archives of The Wiener Holocaust Library and the oral histories preserved in the Fortunoff Archive. Each document, each voice, each word is a thread in the fabric of memory—a narrative evolving, a picture appearing from history.
At its centre, a Romani woman moves through the composition. Behind her, war approaches. Burdened with her belongings, she flees the terror. She is not a portrait but an archetype: the embodiment of the universal yearning for freedom, dignity, and continuation. She is a symbolic guardian of memory, a bearer for the collective experience of survival and hope. Fragments of history surrounding her —handwritten letters, eyewitness testimonies, deportation records, torn out sentences pressed against one another but the surface refuses stillness. The restless texture trembles, unable to settle. It wants to escape – desperately.

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